January 13th Monday Night PlayGround: “The Shakespeare Sequels”

“We know what we are but not what we may be.” – Ophelia, Hamlet

In the spirit of past topics such as “Shakespeare’s Prequels” and last year’s “Shakespeare Multiverse, ” PlayGround writers are set to take on a new sector of the Bard’s not-previously-explored canon: THE SHAKESPEARE’S SEQUELS. What happens after that joyous wedding at the end of every Comedy? Who cleans up the bloodbath at the end of each Tragedy? And might we see some alternative Histories, post-Act V? Join us for the next Monday Night PlayGround-LA and find out: Monday, January 13 at 7pm PT, in-person at the Broadwater Second Stage and simulcast. PlayGround-LA’s sister companies, PlayGround, PlayGround NY, and PlayGround CH will present their own interpretations of this theme throughout the month. As part of PlayGround’s commitment to radical accessibility, Monday Night PlayGround is admission-free (donations gratefully accepted) for online reservations and day-of admission in-person. Advance in-person reservations do requite an admission free of $10. For the complete schedule or to reserve tickets, visit https://playground-la.org/monday.

The 13st season of PlayGround-LA’s celebrated Monday Night PlayGround staged reading series on the second Mondays, Oct-Mar, will be held in-person at the Broadwater Second Stage and live simulcast through March 10, 2025. Each month, PlayGround announces a topic and writers have just four-and-a-half days to generate their original ten-page script. Recent topics have included: ”The Legacy of the Land We Inhabit”, “Origin Story”, “What the World Needs Now…”, and “Give and Take”. The top six scripts are matched with directors and a cast of leading local professionals and rehearsed for just ninety minutes on the day of the performance. Following a brief technical rehearsal to add sound and other design elements, the six short plays are performed as script-in-hand staged readings for an in-person and live-stream viewing audience on the second Mondays, October through March.

Audience members can also experience the thrill of being a producer through the monthly People’s Choice Awards, helping to determine which plays and playwrights go on for consideration in PlayGround-LA’s annual short play showcase, Best of PlayGround-LA. Advance reservations are required. Admission is free but donations are gratefully accepted. Masks are strongly recommended for in-person performance and attendees should be symptom-free and have no recent exposure to individuals with COVID.

Why Free?

At the beginning of the pandemic in May 2020, PlayGround began streaming all of its live programs, increasing accessibility to artists and audiences not only in the Bay Area but across the globe. At the same time, PlayGround made the bold choice to offer all programs admission-free. Why free admission, particularly when so many arts organizations were struggling to stay afloat and every dollar is a critical resource to support artist compensation? We chose free admission because it furthered our commitment to radical accessibility, ensuring that no one would be turned away for lack of resources. And as many of the PlayGround artists began their journey with us as audience members, it also ensured that the future artists of PlayGround would not encounter barriers to their participation. Of course, we offer audiences the opportunity to make a donation when reserving their free tickets and we hope that you’ll consider doing so if you’re able, recognizing that your direct support makes it possible for us to continue providing fair and equitable wages for professional artists while sustaining our radical accessibility efforts for all. And, as always, we thank you for your generous support!

PlayGround-LA Company

PlayGround-LA’s 2024-25 Writers Pool: Michael P. Adams+, Tamadhur Al-Aqeel, Damian Arteaga,Suzan Averitt, Esther Banegas Gatica+, Blaire Battle, Evan Baughfman+, Emily Brauer Rogers+, Summer Broyhill, Timothy Bryant, Jackie Cloud, Allie Costa+, Paris Crayton III, Sandra Cruze, Isabella Dionne, Amy Ellenberger, Lauren Gorski+, Rachel Harner+, Steve Harper, Aaron Higareda+, Michael B. Kaplan+, Mikee Loria, Rhea MacCallum+, Abel Marquez, Scott Mullen+, Peter Pasco, Margo Rofé, Carolina Rojas Moretti+, Cara Sanchez, Mark Sherstinsky+, Baylee Shlichtman, Jessica Skinner, Maria D. Smith, Lisa Sutton, Adrian A Babatunde Thomas, Evelyn Wu-Coffey+

+ Past Best of PlayGround-LA playwright.

Supporting PlayGround-LA playwrights and the Monday Night series are the members of the PlayGround-LA Company, representing some of Los Angeles’ leading directors, actors, designers, and stage managers. The 2024-25 PlayGround-LA Company includes: Tanvi Agrawal, Jahnavi Alyssa, Tamiah Bantum, Brianna Barrett, Jerome Beck, Julia Belanova, Josef Bette, Sylvia Cervantes Blush, Summer Broyhill, Ben Cain, Hugo Carbajal, Jordan Carlson, Jordan Covington, Paris Crayton III, Greg Cuellar, Tom Dang, Frieda de Lackner, Hillary DeMartino, Carolyn Deskin, Rogelio Douglas III, Angel Dumapias, Eliza Frakes, Eric Geller, Jon Joseph Gentry, Danny Gomez, Cassie Grilley, Christian Haines, Julio Hanson, Matthew Henerson, Mark Jacobson, Alejandra Jaime, Alexia Jasmene, Cybelle Kaehler, Kurt Kanazawa, Stephanie T. Keefer, Tony Kim, Dean Koya, Emily Kuroda, Christopher Gary Lawson, Christine Liao, Lea Madda, Jackie Marriott, Gabi Mayorga, Paris McCarthy, Sherry Michaels, Krystal Mosley, Rachel Berney Needleman, Melissa Ortiz, Peter Pasco, Andrew Perez, Kevin Phan, Tansu Philip, Gary Poux, Tiana Randall-Quant, Maiya Reaves, Scarlett Redmond, Jesus Reyes, Ivan Rivas, Debba Rofheart, Tahmus Rounds, Mae Ruling, Collette Rutherford, Anthony Rutowicz, Richard Ruyle, Isabel Siragusa, Janet Song, Angela Sonner, Mark Anthony Vallejo, William Warren, Charlotte Williams, Jonathan Wray.

PlayGround, a national leading playwright incubator, provides unique development opportunities for the Bay Area’s, Los Angeles’, New York’s, and Chicago’s best new playwrights, including the monthly Monday Night PlayGround staged reading series, annual PlayGround Festival of New Works, full-length play commissions and support for the production of new plays by local playwrights through the New Play Production Fund. To date, PlayGround has supported over 350 early career playwrights, developing and staging more than 1,500 of their original short plays through the Monday Night PlayGround staged reading series and the PlayGround Festival. PlayGround has also commissioned 100 new full-length plays by 60 of these writers through its Commissioning Initiative and, through the innovative New Play Production Fund, has directly facilitated the premiere of 36 plays at theatres of every size, including three that have gone on to NYC and other major theater communities. Most recently, PlayGround renovated and relaunched the former Thick House Theater in San Francisco’s Potrero Hill as Potrero Stage, a state-of-the-art center for new plays, home to PlayGround’s expanding artistic programs and some of the Bay Area’s most distinguished new play developers and producers. Over the past twenty-seven years, PlayGround has served to identify some of the most important new local voices for the theatre. PlayGround’s alumni have gone on to win local, national, and international honors for their short and full-length work, including recognition at the Steinberg Awards, Glickman Awards (including 6 of the last 10), O’Neill National Playwrights Conference, Bay Area Playwrights Festival, and New York International Fringe Festival, among others. PlayGround received the 2009 Paine Knickerbocker Award for outstanding contributions to Bay Area theatre, 3 BATCC Awards for Best Original Script for PlayGround commissions, a 2014 National Theatre Company Grant from the American Theatre Wing (founder of the Tony Awards®), and a 2016 Edgerton Foundation New Play Award.